Unsung Cinderella: Byoin Yakuzaishi no Shoboshi is an ongoing Japanese drama that stars Ishihara Satomi as the lead. It started airing on July 16th and will run for eleven episodes. This show is adapted from a manga series written by Mamare Arai, which is also titled Unsung Cinderella.
Expectations: I have been looking forward to this drama for a while, mainly because of Ishihara Satomi. Its premiere date was also postponed due to the ongoing coronavirus. So I had to rush in once a good number of episodes were released. Plus, this is my first time seeing a medical drama that focuses on pharmacists, hence why I was intrigued.
(warning – spoilers ahead)
The premise of this show is promising. I absolutely adore watching medical dramas because I get to learn new things all the time. I think they did an okay job with the execution of this drama, but I will admit that some aspects are quite unrealistic. I honestly do not need any pharmaceutical knowledge to tell that most scenes in this drama are over-exaggerated or out of line for a pharmacist. If I was a medical professional, it would be quite hard not to nitpick on every wrong detail, but since I’m not, I have been dwelling more on the overall sentiment of the show.
Before watching this series, I had the assumption that nurses were the ones who dealt with all medication-related matters. Although I don’t think pharmacists get invested as Aoi Midori, it has been educative to see the roles they play behind the scenes. Like assisting the doctors during emergencies and instructing patients on how to take each medicine. They are indeed part of the unsung heroes in hospitals. This is what I genuinely appreciate about Japanese dramas. They have a unique and raw way of providing viewers with very heartwarming stories. Therefore even though I do not agree with how Aoi Midori tastes new medicines or her attachment with every patient, I do acknowledge and value the emotional aspects of each patient’s story. Since this is based on a manga, a lot of cliches and exaggerations are expected.
From episode one to three, I appreciate how the writer used Hakura Ryunosuke as the layman information giver. This character was used to break down the medical terms to ensure viewers’ understanding. I also love how they tackled the difference between Aoi and her senior Kariya. These two proved that people in the workplace can have different valid opinions or personal approach but still work well together as partners. Kariya Naoko is practical and strict with separating the job from her emotions. She still cares for her patients but doesn’t go the extra mile like Aoi Midori. Aoi, on the other hand, familiarizes with each patient to be the best pharmacist for them. Both have their ways that work, respectively. Basically, they ‘agree to disagree.’ Another great touch of this drama is how we get to see each patient’s possible future after leaving the hospital. I think that aspect is remarkably exciting and beautiful.
Now here are a few lessons I got from Unsung Cinderella: Byoin Yakuzaishi no Shoboshi –
- Be careful with the amount of unprescribed medication that you take, and this includes off counter vitamins. Once you notice something odd, talk to a professional.
- A lot of individuals depend on daily medications or regular medical procedures to survive. So every day you wake up, be grateful because you can do a lot of things generally without any assistance.
To round up, here is one of my favourite scenes –
The way they all kept working and even clapped with their feet. Plus, the pure distress on Aihara Kurumi’s face was funny to see.
If you’ve started watching Unsung Cinderella: Byoin Yakuzaishi no Shoboshi, what do you think of the story so far? Let me know in the comment section.
This drama can be found on sites like Dramanice or Kissasian.